This is the location scout and risk assessment for our production process (shooting locations). This report is created by Kalista and Rara. However, me and Chelsea helped in discussing the locations. This blogpost is written by me (Audrey).
Thursday, November 7, 2024
Component 3: Location Scout and Risk Assessment
Component 3: Richard Dyer's Theory of Stardom (Classwork)
Here is a summary of a theory we learnt at class today with our Media Studies teacher (Mr Nick). It’s about the Theory of Stardom by Richard Dyer which helped us build our star’s image for our music video project. This blogpost is summarized by Rara and Audrey, however some of the celebrity research was done by Kalista and Chelsea as well.
Richard Dyer’s theory suggests that celebrities are constructed by media institutions to attract their target audience and promote their product. The celebrities are portrayed as a mix of relatable qualities (to appear ordinary) and unique traits (to appeal to fans). It focuses on how the image of the star is vital to the marketing to build both commercial success and a deep emotional connection with fans.
Dyer believes that a duality of a ‘reel’ and ‘real’ persona of a celebrity keeps audiences engaged.
REEL persona: A curated version of themselves, designed to fit the expectations of an audience (such as Performances, Music videos, social media)
REAL persona: The authentic personality of the individual—the way they are in their personal life, away from the public eye (such as Interviews, documentaries, behind-the-scenes footage)
Celebrities are appealing due to 5 main reasons:
Love: We are fascinated with the love lives of the stars, can also feel a romantic affiliation with them
Ordinariness: We like to see them doing routine things, living normal lives just like our own
Success: We like the idea of overnight success, and failure before success. This appeals to our sense of fair play. (Why we like reality TV so much)
Consumption: We are fascinated by the huge material wealth brought by media success. Not just luxury homes and cars, but also strict dietary regimes set by expensive nutritionists, holidays etc.
Dream turned sour (downfall): The one thing we enjoy more than building up a celebrity is tearing one down. We like to exploit their misery.
Here are two celebrities that we researched and analyzed upon in detailed.
Component 3: Technical Element (Classwork)
Here is a summary on the analysis of technical elements such as camera angles and movements, mise-en-scene, sound, and edit in media texts and how connotations interpret meaning. This helped me to recall my knowledge and what we had been learning in class that can be applied to my music video production. This blogpost is written by me (Audrey).
There are four technical elements that we had learned namely:
1. CAMERA angles and movements
2. Mise-en-scene (MES)
3. SOUND
4. EDIT
CAMERA
Camera angles and movements are fundamental as it shapes interpretation on how the story is told and how the audience experiences it. Every shot taken builds up an implied meaning to direct the audience’s response (emotionally).
Camera Angles:
The positioning of the camera in relation to the main subject. How a camera captures a subject creates the overall portrayal and determines how audiences view the subject.
Long shot: Main subject is captured from a distance with their body fully visible. This shot is usually used to show action.
Extreme long shot: Captures the subject from a greater distance to make the subject appear small. This shot is usually used to showcase insignificance or isolation of the subject due to the comparison between the small subject and vast setting.
Establishing shot: Shows the entirety of the setting which gives a context on the location to the audience. Frequently used in the beginning of a scene.
Medium shot: Captures half of the subject (from the waist and upwards). This shot is commonly used for dialogues which shows and focuses on both facial expressions and body language.
Cowboy shot: Cowboy shots are usually taken on a lower angle and frames the subject from mid-thigh upwards, the subject usually appears bold and confident. This technique is usually used in action movie characters.
Close up: Captures the entire face (head) of the subject emphasizing on the facial expressions and emotions of the subject. This detail creates an emotional connection for the audience.
Extreme close up: Captures an even closer focus on a specific detail. The shot usually connotes that the subject is important as it creates tension.
POV: Captures the events/scene in the eye of a subject and makes it appears as if the audience is experiencing what the subject is. Usually creates a bond between the audience and the character, evoking a sense of empathy.
Over the shoulder: Captures a subject from over another character’s shoulders. This shot is frequently used for conversations.
High angle: Camera is placed above the subject and is tilted downwards which makes the subject appear smaller and vulnerable. Connotations: Weak and vulnerable.
Low angle: Positioned below the subject and is tilted upwards which makes the subject appear larger. Connotations: Power, dominance, and control.
Dutch angle: Tilted sideways which creates a vertigo-like effect to create a sense of uneasiness from the audience.
Camera Movements:
Camerawork or motion to how the camera captures the audience and keeps the story flowing. This controls how audiences follow the plotline from how they reveal events and focuses on the subject.
Fixed | Camera remains static | Calm, peace, normal |
Push in | Camera moves slowly toward subject | Brings the audience closer, more involved, getting more serious. |
Pull out | Camera moves slowly away from subject | Takes audience away from the action, leaving a character. Detaching from subject |
Pan | Side to side, camera fixed | Reveal information, mirrors natural head movement of the audience. |
Tilt | Up and down, camera fixed | Same as pan, just a different direction |
Dolly | Camera moves around freely | More immersive, we are moving inside the subjects world, we feel part of the action |
Tracking | Camera moves around on tracks | Similar to dolly, but smoother. |
Crane | A tool that can move camera horizontally and vertically | Reveals the epic size of the setting, landscape. |
Handheld | Camera is shakey | Very natural, immersive. High energy |
Zoom | Zoom | Brings audience closer to budget. Draws our attention to something. |
SOUND
Description | Effect | |
Diegetic sound | Sound that can be heard by the characters within the media text. | Add a sense of realism. Reveal information to characters (and then audience) |
Non diegetic sound | Sound that can only be heard by the audience. | Enhance meaning, create an emotional response in the audience |
Trans diegetic sound | Sound that transitions from one to the other. | Creates a link between the audience and the world. More immersive |
Description | Effect | |
Melodic | Positive and pleasing connotations | Enhances a positive scene. Create positive emotions in the audience. |
Discordant | Harsh and unpleasant connotations. | Enhance negative scenes. Create suspense, tension, anxiety |
Contrapuntal | Has an opposite tone to the on-screen visuals. | Adds deeper meaning to scenes. Insight into the character's thoughts. Maybe they seek pleasure in doing bad things. |
MISE-EN-SCENE:
Mise-en-scene refers to the arrangement and design of visual elements within a frame or a scene.
EDIT:
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𝑺𝒆𝒍𝒇 𝑹𝒆𝒇𝒍𝒆𝒄𝒕𝒊𝒐𝒏:
Component 3: Screen Test
Here is the screen test for our music video project as we find our star for our music video. Here is a video of our class's group audition. This blog post is written by me (Audrey).
Here is the video for our whole Media Class students audition. We did this screen test as a class where we all lipsync to the song "Don't Stop Me Now" by Queen. We had chosen this song as a class because most of us were familiar with the lyrics already (however it was still displayed on screen). The genre of this song (rock) does not match with the genre of our choice (pop) but the song was upbeat so it still works.
Here is the link: https://youtu.be/LL4o9gvDgdwFrom the audition tape, we didn't really have any picks yet because there aren't anyone in certain that fits to our star's persona that we are looking for. Although, it was still beneficial for us to do it.
Screen test: A screen test is an audition tape to determine whether an actor/actress is suitable for the role.
Component 3: Lyric Sheet
Here is the lyric sheet for our music video project. Me and my teammates (Kalista, Chelsea, and Rara) all contributed on this as we discussed on our ideas for the narrative. This blog post is written by Chelsea.
After finalising our chosen song, our teacher helped us to print our song's lyric sheet, and we began by verballing discussing our thoughts and ideas as a group after each of us had proposed our own ideas and brainstormed which of the concepts we all agreed with. We all agree that, because of the upbeat rhythm of the song, we want our music video to feature both performance (dancing or lip-syncing) and a little bit of narrative elements as well.
Below is the lyric paper sheet we've discussed during class:
At the beginning we all have various perspectives and thoughts, which leads to some misunderstandings and uncertainty. Audrey and I imagined the music to be angsty in terms of mood, and the star will radiate the vibes of a stargirl (confident, bold, and unconcerned about what others say), dressed in bold colours like red and black and wearing heavy makeup. Meanwhile, my other teammates, Rara and Kalista, thought the entire music video would feature a sweet, vulnerable, innocent-looking star wearing white or light-colored clothes and light makeup, which contrasted my and my other teammates' ideas.
This idea clash took a long time to resolve, but we eventually came up with a satisfactory solution. To resolve this, we all went through the song's lyrics and original music video again, searching for the song's meaning (which will be explained further in the song research blogpost), and then we came up with an interesting idea. Given that the song revolves around a one-sided relationship in which the female star is being "played" (taken advantage of or manipulated) by the man, we want to add a twist to our music video. We decided that during the first half of the song, we would represent the star as innocent, fragile, and desperate for love (aligned with Kalista and Rara's idea). The second half of the song reveals that the main star is not as innocent as she appears, and that she is actually the "player" (aligned with Audrey and my idea). We also wanted to incorporate various connotations throughout the music video.
We were unable to annotate all parts of the lyrics on time since gathering thoughts that we all agreed on took up a significant amount of time in class. And, because meeting together face to face to work on this would be ineffective, we decided to change our lyric sheet discussion method by utilising digital media tools, which makes discussion more efficient, rather than one of us bringing the paper home and having to write all of the notes on their own.
Below is the lyric paper sheet we transferred and gathered our ideas on Google Docs:
Click here to access the link directly to the file for our music video lyric sheet.
Here we also utilised Google Meet to discuss our ideas together via online:
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𝑺𝒆𝒍𝒇 𝑹𝒆𝒇𝒍𝒆𝒄𝒕𝒊𝒐𝒏:
Component 3: Storyboard
Here is the storyboard for my documentary project. Me and Chelsea created this storyboard (I did the first half whereas Chelsea did the last half). This blogpost is written by me (Audrey).
This story board acts as a visual guide for the chronology of the events. I apologize if the final results does not seem perfect.
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𝑺𝒆𝒍𝒇 𝑹𝒆𝒇𝒍𝒆𝒄𝒕𝒊𝒐𝒏:
Component 3: Mood board
Here is the mood board for our music video project for our chosen song: "The Weekend" by BIBI, 88rising. This blogpost is written by me (Audrey).